Album: Greatest Hits 1974–78Avg rating:
Your rating:
Total ratings: 1057
Length: 3:48
Plays (last 30 days): 4
All you can take
Wheels are turnin'
In the bed you make
I'll take you over
Tonight at the stake
Nobody loves you like the way I do
Light rain's over
The Sun's all around
Four leaf clover
And I'll pull you down
I'll take you over
Tonight at the stake
Nobody loves you like the way I do
Nobody loves you like the way I do
Nobody loves you like the way I do
Oh William, you got that one so wrong. The Steve Miller band is actually highly regarded critics review at 73% which is very very high. But that’s OK, we all forget stuff once in a while. And some of us are even wrong once in a while lol not you of course. Cheers.
Yeah not sure what the "bad rap" quip was.
I've been a musician and music lover/audiophile for a long time. Always liked Joe and Steve Miller, I grew up on bands like them. Wasn't denouncing anyone, but often times bands grab riffs, techniques and sounds from other bands. A lot of times it's no biggie.
As a certain Walrus from Liverpool said, "There's only so many notes."
And the piano ain’t got no wrong notes.
2. why was this song added here?
Sounds like an early prototype for "Rocky Mountain Way." Fair to middling: Miller has done better. Check out his pre-Joker work
Oh yes! I totally agree with you.
"spent the last year..."
Had to haul this post out of the 2003 vault...
I felt that way about most Foreigner songs. I still don't like most Foreigner or Bad Company songs (AOR mainstream schlock, like Budweiser and Miller), but I'll be damned if I'm going to let those jock schmoes (now mostly fatter, mellower, not much brighter) steal any music from me.
This got played all the time in the 70s. Don't give a crap if it borrowed from Joe Walsh; apparently Joe didn't care either.
well said.
i've been listening to a lot of walsh and james gang lately. i heard this riff (of course i know this song well, but) and it immediately made me think of joe walsh. interesting.
There was this amazing band out of San Francisco called "The Steve Miller Band," that made moving, soulful jams like "Your Saving Grace" that I never got tired of listening to. That band went away and this imposter band came along with schlocky, pop drivel that polluted the airwaves for the entire decade of the '70s. Just seeing this album cover makes me cringe. Make it stop.
Steve Miller was responsible for the death of "Guitar Hero." Honestly the seventies were dominated by loud distorted guitars. People loved it. Couldn't get enough. Then they heard Steve Miller promoted on the airwaves. RIP.
Nobody cared in 1977. It was like "Smoke On The Water" -- a thousand bands played it, sewing it into their sets and eventually into something on a B-side or 6th song on the album. It's just that few of them were Steve Miller..
The "hook" riffs on this and Rocky Mountain Way are similar enough to invite criticism, no doubt. Joe's was written first, in 1973, this one apparently around 1976 or '77 (the song was released in '77 but I haven't found a published date). Guitar and writing credits on this track, I learned, actually go to David Denny.
Apart from the riffs the songs are dissimilar enough that I never made the connection between the two until reading the comments here, and I like both songs. However, I'm not one of those that is driven to find every similarity between songs.
On the one hand we admire and praise artists if they are influential, and Joe Walsh is certainly that, particularly early in his career. On the other hand we often denounce the bands or artists that they clearly influenced. Seems strange to me. I'm not saying you did that LowPhreak, I don't think you did, but you see that sort of thing a lot on these boards. Peace.
I've been a musician and music lover/audiophile for a long time. Always liked Joe and Steve Miller, I grew up on bands like them. Wasn't denouncing anyone, but often times bands grab riffs, techniques and sounds from other bands. A lot of times it's no biggie.
As a certain Walrus from Liverpool said, "There's only so many notes."
Had to haul this post out of the 2003 vault...
I felt that way about most Foreigner songs. I still don't like most Foreigner or Bad Company songs (AOR mainstream schlock, like Budweiser and Miller), but I'll be damned if I'm going to let those jock schmoes (now mostly fatter, mellower, not much brighter) steal any music from me.
This got played all the time in the 70s. Don't give a crap if it borrowed from Joe Walsh; apparently Joe didn't care either.
The "hook" riffs on this and Rocky Mountain Way are similar enough to invite criticism, no doubt. Joe's was written first, in 1973, this one apparently around 1976 or '77 (the song was released in '77 but I haven't found a published date). Songwriting credits on this track, I learned, actually go to David Denny.
Apart from the riffs the songs are dissimilar enough that I never made the connection between the two until reading the comments here, and I like both songs. However, I'm not one of those that is driven to find every similarity between songs.
On the one hand we admire and praise artists if they are influential, and Joe Walsh is certainly that, particularly early in his career. On the other hand we often denounce the bands or artists that they clearly influenced. Seems strange to me. I'm not saying you did that LowPhreak, I don't think you did, but you see that sort of thing a lot on these boards. Peace.
Hardly. Steve Miller and "best trips" are polar opposites
Yes I agree ... I had just logged in when it began and I thought I know this and was surprised to see it was Steve Miller ..
I'll take Rocky Mountain Way over this anyday.
I always did like this one.
But I pretty much love everything Steve Miller did/does. ![]()
He was great this summer!!! His voice is still there too.
9
;)
My guess is that he didn't hear the similarity (nearly identical) because Walsh's song was released eight years later. That would seem to make things a bit more difficult, no?



Yeah not sure what the "bad rap" quip was.
William claimed that Steve Miller “always gets a bad rap — and deservedly so, for the most part.” I’m not an expert on what the critics think, but a lot of Miller’s 70s and earlier 80s output is effing aural gold — and rightly considered so by most discerning listeners.
That a lot of those songs were radio hits doesn’t matter one iota (or shouldn’t).